Tru Ruts presents See More Perspective’s ARCHITEXTUAL DESIGN

SEE MORE PERSPECTIVE moved back to the Twin Cities after an eight-year stint in Chicago as a youth organizer, hip hop artist and all-around troublemaker in 2007. Since then, he’s played the shadows of the TC hip hop scene, emerging here and there to perform with label-mate Guante at the Soundset Festival, produce and record tracks for some of the scene’s top artists, release an indie-pop Halloween album as one half of Strange Perspective, beatbox for KRS-ONE and take part in countless other traditional and not-so-traditional events.

He also worked on his debut full-length, ARCHITEXTUAL DESIGN, a sprawling, ambitious concept album featuring Chicago’s broad-shouldered swagger, St. Paul’s down-home realness and Minneapolis’ forward-thinking drive. Three years plus in the making, that album is set to be released on November 30th, on rising label Tru Ruts/Speakeasy Records’ Bandcamp page and in record stores after December 3rd.

Armed with a raspy, Lyrics Born-style drawl capable of both rapping and singing, a quick-witted positivity that never comes off as sugar-coated or phony, and an unapologetic earnestness that’s so rare in indie hip hop today, See More has created an album that quite literally sounds like nothing else out there. The album flows from heartbreaking storytelling tracks with real lyrical depth to party songs that celebrate hip hop’s roots to Gnarls Barkley-esque pop songs to wildly funky instrumentals to much more. Featuring Chicago rappers and Twin Cities spoken word artists, ARCHITEXTUAL DESIGN is always anchored by See More’s voice—in both the literal and literary sense of the word.

And it’s that voice that makes the album so special. See More Perspective is attempting to bring sincerity back. This isn’t ironic dance pop, tongue-in-cheek underground rap or faux-European synth music; this is a statement about culture as communication—not just the background noise of our lives, but the real foundation and structure on which we stand.

‘ARCHITEXTUAL DESIGN’ is available for download at Tru Ruts’ Bandcamp.

‘A Hug from a Stranger’ (Video) – Guante + Big Cats!

Check out the new video from Guante + Big Cats!. Directed by Tony Perkins, this video is for the song “A Hug From a Stranger” from their debut LP, “An Unwelcome Guest.” The song is a quiet moment in the narrative of the larger concept album, a story that deals with love, radical politics, superhero mythology and yes, zombies. Featuring Haley Bonar, Big Quarters, Chastity Brown, Eric Blair of No Bird Sing and Prolyphic of Strange Famous Records, the album was released in January of 2010 on Tru Ruts/Speakeasy Records and is available for purchase at guanteandbigcats.bandcamp.com or truruts.bandcamp.com. Video shot on location at E Squared Cafe in Brainerd, MN.

“Part Cormac McCarthy, part Woody Guthrie, and part Public Enemy, An Unwelcome Guest is an intricately woven poetic and sonic excursion through landscapes mental, emotional, and physical, cementing Guante and Big Cats!’s status as two of the best emerging artists within Twin Cities hip-hop.” – TC Daily Planet

“Guante could very well follow Atmosphere and P.O.S. in the long-line of outstanding rappers to break from the Midwest.” – CMJ

“Guante and Big Cats! create intelligent, political hip hop that mercifully doesn’t come off as preachy or self-righteous. It’s sobering, demanding your attention like a car crash, yet emotional and alarmingly intimate at times.” – City Pages

‘Architextual Design’ Release Party

ARCHITEXTUAL DESIGN RELEASE PARTY
CD RELEASE PARTY: FRI DEC 3RD
@ HELL’S KITCHEN (80 9th Street South, Minneapolis, MN 55402)
featuring Mayda, Guante, Fresh Squeeze, DJ Rube + More
10:00pm 18+ $5

New Download: Pyramids (Ganzobean Remix)

November’s installment of ‘See More Perspective’s Boombox Emporium’, an eclectic, monthly free music series, presents a spectacular remix of a Chicago underground classic. ‘Pyramids’ interweaves loose cultural allegories of See More’s Mexican heritage and its relationship to African history while drawing parallels to ancient civilizations and modern day hip hop. The inspired, electro-funky remix, featuring an upgraded chorus and a new verse, delves deeper into these multicultural undertones and brings out the idea of how hip hop and its practitioners are building cultural monuments for the ages. Just the kind of casual, big picture yet party appropriate philosophy you can expect from SEE MORE PERSPECTIVE. Ganzobean has been busy producing tracks for local legend Musab, touring with the likes of Abstract Rude and just released a free EP dedicated to Jack White.

Tru Ruts presents Strange Perspective’s JAZZ FUNERAL

An otherworldly combination of hip hop, jazz, indie rock and geek-pop, Strange Perspective is a late-night séance of sound and spirit. The debut collaboration between MC/producer See More Perspective and multi-instrumentalist/vocalist Dameun Strange, THE LOST SOULS BOYS CHOIR IN JAZZ FUNERAL, plays out as a spooky suite of songs exploring death, remembrance and rebirth, with reference points in the New Orleans jazz funeral tradition, the spirit of Dia de los Muertos and the culture of Victorian spiritualism. The duo took first place at this year’s Spoutstock cover competition with their version of “Jack’s Lament” from “The Nightmare Before Christmas,” which says quite a bit about their style and approach. This is quirky and fun, to be sure, but there’s also a sharp edge to the music that reminds the listener that fun and serious, escapism and meaning life and death themselves—they’re not as far apart as we’d often like to believe.

Two accomplished musicians in their own right, artists SEE MORE PERSPECTIVE and Dameun Strange join forces to create ‘Strange Perspective’. Born Adam Gabriel Rangel, SEE MORE PERSPECTIVE is a native of St. Paul, MN and son of Chicago. Having returned to his native Twin Cities roots from several years in Chi-town, he brings a unique aesthetic influenced by both communities. As a hip hop performer and recording artist, he captures and engages crowds of all generations through his energy and signature crowd interaction. As a lyricist poet, educator, self taught producer, actor, and visual artist his work carries revolutionary uplifting undertones known to motivate audiences across the Midwest and the South. As a producer, his music conveys a rawness of heart and soul that is effortlessly spiritual. Infused with traditions of jazz, funk and indigenous music, his sound is at times grainy and full – yet smooth and crisp.

Dameun Maurice Strange was born in Washington, DC. His interest in music began at an early age as he studied viola and clarinet in the DC Youth Orchestra program. At age 13, he began performing around the area as a saxophone soloist; writing music was his true passion. While at Macalester College in Saint Paul, MN, he began explorations in electronic music. He seeks to create a rich audio tapestry that would be able to portray a beautiful vignette or illustrate a compelling story.

‘JAZZ FUNERAL’ is available as a free download for a limited time at Tru Ruts’ Bandcamp.

E.G. Bailey co-curates 13th season of Late Nite Series

Where can you see Twin Cities storyteller Amy Salloway share the stage with Julliard-trained powerhouse playwright/actress Stacey Karen Robinson from the Bronx? Or folksoul singer Gina Breedlove, who has worked with Ani DiFranco, Toshi Reagon, and on Broadway in The Lion King, in the same evening as local dancer/choreographer Julie Warder, authors from the Givens Black Writers Collaborative, and “sound composer” Mankwe Ndosi?

At the Non English Speaking Spoken Here: The Late Nite Series, curators e.g. bailey and Laurie Carlos enter their 13th year bringing some of America’s most dynamic interdisciplinary performers together to explore the cross-currents of contemporary culture through music and sound, text and images, and movement and dance.

Pillsbury House Theatre presents Non English Speaking Spoken Here: The Late Nite Series on Saturdays, October 23, October 30, and November 13.

When you attend a Late Nite performance, you’re part of a family and every good family has a good meal. That’s why we always serve up great food before you digest some amazing art. Be sure to bring your appetite when you join us for Late Nite. Food from local chefs served at no extra charge starting at 8 pm in the lobby where audiences can mingle with artists before the show. The show starts at 9 pm.

Pillsbury House Theatre
3501 Chicago Avenue South
Minneapolis, MN 55407
612-825-0459

Free Food at 8:00pm.
Show at 9:00pm.

$10 Adults
$5 for students/seniors
FREE for anyone under 16.
Tickets at show or online at
pillsburyhousetheatre.org

Strange Perspective’s JAZZ FUNERAL Halloween Extravaganza


Strange Perspective’s Jazz Funeral Halloween Extravaganza
featuring Mayda, Guante, The Rube, Sideshow Oddities,
Burlesque by Giza Sangria and more
Costume contest with prizes!

Saturday, October 30th
Hell’s Kitchen
80 – 90th Street South
Downtown Minneapolis
10:00pm – 2:00am
$10 • 21+

Two accomplished musicians in their own right, artists SEE MORE PERSPECTIVE and Dameun Strange join forces to create Strange Perspective. Their first collaborative effort, a Halloween suite of spooky sounds and story telling, is an eerie, lighthearted and clever exploration of the New Orleans Jazz Funeral sound, but that’s just where the concept starts. A witty and quirky blend of Hip Hop, Jazz, and dancey, catchy song writing, ‘Jazz Funeral’ is an amalgamation of the many eclectic interests of these two gifted artists (namely, ghosts).

Joining Strange Perspective will be a host of musicians, story tellers, hip hoppers, artists, dancers and psychics, along with Guante and Mayda. A flow of music, atmosphere, art and dance for the evening, with a dj to warm us up, keep us nodding between acts and encourage us to dance the night out at the end.

About Sideshow Oddities: Professor Oscar is working to preserve the art of the classic sideshow and dime museum- featuring hand painted banners and a traveling museum of rare and fascinating exhibits on display to amuse, intrigue, and enlighten the audience before and after the music. Pieces from Professor Oscar’s collection have been featured in galleries throughout the United States, have garnered attention from artists worldwide, and have been used alongside internationally touring musicians such as Th’ Legendary Shack*Shakers and Jack White of the White Stripes.